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The De Jong/Harris interview with Harry Thurston - The Writers Federation of Nova Scotia Page on Harry Thurston |
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The Owl and the Mouse |
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| Chimney Swifts - For Catherine Fly ash, swifts swirl counter- clockwise around the chimney like smoke returning to the fire. Time’s arrow is reversed. As we watch their flight spiral into darkness, we are growing younger, back toward our births, borne to our mother’s womb on charcoal wings. First one bravely dips into the inky stack, then the others obediently funnel down to the mystery of our origins. A place still, dark, expectant. Dusk, the show is over, we file obediently toward our appointment with sleep, resume our steady movement no longer suspended by waking wonder. In the morning, the flock unwinds like clock springs, flies up as if the night foreman had returned, kindled old fires. The swifts, winged carbon, spiral up, clockwise at the dawn light. setting the day in motion, unfurling the future. |
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| Snipe Sonnet O what a brave suitor is the snipe, spinning in his amorous orbit, a feathery satellite above the rain-tamped earth. Dizzy as a Sufi dervish, he dances his aerial love; folding his wings, drops like a plumb bob, his tail feathers the ribs of a fluttering fan, hoop-hoop-hooping his earthly intent. O what a brave suitor is the snipe who makes his whole body a love song. yet, in the south, they do not hear a heart beating but a shroud torn as the snipe rends the sky, a spirit speaking when the body falls headlong to earth. |
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| Whirligigs Harlequins littering the lawn of this man’s castle, their antics a never-ending cartoon unreeling on a spool of wind – Sylvester in endless pursuit of Tweetie Bird, one man’s hedge against time. I remember another bright beating whirligig in grandfather’s backyard, a little man in red shirt and blue overalls. The prop powered strokes of the bow saw bent his hinged body into the task but he never gained an inch of kerf all the long summers of childhood. My grandfather shuffled when he walked – a scar of his youth, feet cast in a molten spill at Burrell & Johnson foundry; the patience of pushing broom along school hallways – a simple man like any other going about the business of his last day(say, in Pompeii) shuffling over the flagstones. Afternoons he slumped in his lawn chair, smiling Buddha in a wine cardigan misbuttoned over his great belly where his hands rested except for the thumbs running round and round each other. Grandfather meditated among the clouds of roses building behind him while the little man worked, bucking to each zephyr, the sound of his sawing and endless pleasure. He flashed his colours, red-blue, red-blue, the old man’s eyes beating in time under the giant suns of his lids. |
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| River Otters at Play Love as it ought to be made leisurely, buoyant, liquid. The river otters roll over, the male a helpless sailor holding hard to the capsizing keel of the female. Over and under they sink, bubbling desire, emerge au pair sucking night air, circling together, clasped one to the other – otter to otter. love as play, in this they are always faithful and true. Love made as such things ought to be done, with grace, for fun. I have seen them before, not locked like this, but moving free, in synchrony dive and surface together, anxious to spy the other’s face – okay, they say, and dive again weaving their submarine passions. Or on the slippery bank, Slide over the other’s oily back, musking each other as they enter the water, each quick, sleek movement a kind of foreplay, sensing the other’s wet wishes. Now they are in no hurry: as the light fails they court the dark waters, stirring them, and, deep down, limbic me.
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